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While common in Europe, conservatories are now beginning to increase in popularity in the U.S. as homeowners discover a variety of uses for these one-of-a-kind "glass houses." Many conservatories, are used as breakfast rooms or additions to gourmet kitchens, while others serve specific purposes, such as a music room or natural bridge between the house and garden. Conservatories have a rich history, going back to the days when wealthy families of Victorian Europe would travel the world and bring back rare spices or lemon and orange trees. They needed warm climates to survive the colder months, so the idea of a glass-enclosed conservatory was developed to nurture the exotic plants and specimens from the homeowner's world travels.

The St. Petersburg Conservatory is a music school in St. Petersburg, Russia. Its current full name is the Rimsky-Korsakov St. Petersburg State Conservatory (SPbGK); formerly it has also been known as the Petrograd Conservatory and the Leningrad Conservatory. It was founded in 1862 by the Russian pianist and composer Anton Rubinstein. It later became a centre of the New Russian school of composition, led by Rimsky-Korsakov. In 2004, it had around 275 members of staff and 1400 students.

We have no idea when some farmer got the idea of choosing a site protected from the wind, with an exposure to the longest hours of sunlight, or who first carried water to nourish that plant. Today we take for granted the cultivation of fruits, vegetables, herbs and flowers in computer-monitored locations that bring us year-round production. Obviously this is the result of centuries, perhaps eons, of experimentation and invention. Two hundreds years ago, our ancestors had a very good idea of what was needed for maximum production, and they were quickly developing the technological requirements for success.

One of the most famous of the Regency-era conservatories was built at Carlton House, the Prince of Wales' London residence, demolished in 1826-27, which had been redesigned for him by Henry Holland (1745-1806) in 1787. Over the years, the Prince worked hard, decorating and redecorating, to make it the most magnificent residence in Europe, and by some standards he succeeded, only to have it demolished when its position was judged obstructive to the grand design he and architect John Nash worked out to redesign large sections of London, which later were named Regent Street and Regent Park. The famous conservatory was added in 1807 of the newest construction techniques in cast iron columns and a fan vaulted ceiling supporting large glass spaces. The architect was Thomas Hopper (1776-1856) whose work was considered a tour de force. The conservatory opened into the gardens at one end. If one looked in the opposite direction, there was a clear view of the entire lower ground-floor range of rooms, at the mall level, opening into one another in this sequence from west to east: conservatory, ionic dining room, gothic dining room. As an aside, architect Hopper's subsequent commissions included the main dwellings at Gosford Castle, Northern Ireland, and Penrhyn Castle, Wales, among many others. He was particularly admired for his Normal Revival style. The Carlton House conservatory was intentionally theatrical, as some writers observed, over the top and bringing the term "elaborate" to a new level. The Prince Regency planned a great fete for 2,000 people on June 19, 1811,to celebrate his Regency. The supper table was 200 feet long, the entire length of the Ionic Dining Room and the Gothic conservatory. Men were dressed, according to J. B. Priestly in his The Prince of Pleasure and His Regency (1969), in their court dress or uniforms. Down the middle of the entire length of the table ran a curving stream of water from a silver fountain in front of the Prince. Its path was lined with flowers, mossy banks and crossed by miniature bridges. Goldfish swam up and down this tiny stream. Here is the account by John Ashton in Social England Under the Regency (1895) of the Prince Regent's conservatory and the party: "...the architecture of it is of the most delicate Gothic. The upper end was a kind of circular buffet surmounted by a Medallion, with the initials G.P.R. lined by festoons and antique draperies of pink and silver, and partly filled by mirrors, before which, on ornamented shelves, stood a variety of vases, candlesticks, &c. of the most gorgeous gold plate...In the front of the Regent's seat there was a circular basin of water, with an enriched Temple in the centre of it, from whence there was a meandering stream to the bottom of the table, bordered with green banks. Three or four fantastic bridges were thrown over it, one of them with a small tower upon it, which gave the little stream a picturesque appearance. It contained also a number of gold and silver fish. The excellence of design, and exquisiteness of workmanship could not be exceeded; it exhibited a grandeur beyond description; while the many and various purposes for which gold and silver materials were used were equally beautiful and superb in all their minute detail.

The real beauty of a conservatory is that it is a room, which is part home and part garden bringing the delicious scents that abound in the garden, indoors. It also affords a cosy and comfortable haven in which to enjoy the outdoors even when the wind and rain is lashing all around. Once built many people find that this beautiful room becomes a focal point and is used much more than was originally anticipated. The high glass content of a conservatory can be an ideal room for growing a variety of houseplants. However care must be taken when selecting plants to ensure they will enjoy the conditions afforded by the aspect of the room and whether it is heated or not.

ESTABLISHED IN 1910, the Mount Royal College Conservatory has provided instruction to people of all ages and levels of development over much of the past century. The Conservatory is committed to providing quality instruction that sets the standard for similar programs throughout Canada. To this end it has built an outstanding group of instructors, established an extensive visiting artist program, and developed an international presence.

"Needless to say, this grand fete was made fun of--and so we see in 'Gudgeon fishing a la Conservatory,' the meandering stream down the centre of the Regent's table is caricatured, and taken liberties with his subject--the Prince, for instance, sat on a plain the fair ladies are provided with rods and lines. The artist has mahogany chair, and the 'stream' was banked up with moss and flowers...'" Existing watercolors of the conservatory by Charles Wild (1781-1835), who painted many views of Carlton House, do not show any plants placed to take advantage of the overhead light provided by the glass and iron fan vaulting. These watercolours were published by Rudolph Ackermann in his Repositories of the Arts, beginning in October 1819. The watercolors of Carlton House and other royal residences (Windsor Castle, Hampton Court, St. James's Palace, Kensington Palace, Buckingham House and Frogmore House) were re-issued in 1984 by The Vendome Press, ISBN 0-86565-048-9. In Regency Design, however, Steven Parissien shows a view of the Prince Regent's conservatory with extensive planting along the sides p. 218; also in Morley, p. 787). He also notes that the structure leaked badly and quotes Nash in 1822, "the glazed vaulting was 'worse than useless as a roof' and recommended replacing it with plaster." Leaks or no leaks, Prinny's conservatory was, as he wished, a trend-setter. A much more modest conservatory was built by the renowned regency architect Sir John Soane at his country home Pitshanger Manor, in Ealing, a suburb of London. Mavis Batey writes, "The breakfast room opened on to a conservatory, which ran the length of the building, with sash windows to the floor, partly of coloured glass. Soane described it as 'enriched with antique cinerary urns, sepulchral vases, statues...vines and odiferous plants; the whole producing a succession of beautiful effects, particularly when seen by moonlight, or when illuminated and the lawn enriched with company enjoying the delights of cheerful society.'" Despite the difference in scale, it is clear that the conservatories at Carlton House and Pitshanger Manor shared a common element: they were used for entertainment and socializing. Greenhouses have ancient sources.

During the seventeenth century, improvements in building glass walls and providing heat through ductwork made greenhouses ever more efficient. Nor were they considered exclusively functional. Strolling, taking tea, admiring the plants brought more and more people into the conservatories. And architects constantly improved the looks of the glass structures, bringing the outdoors inside. In the eighteenth century, glass houses for the cultivation of oranges, lemons and pineapples were built all over Europe. The orangery or pinery generally had a solid roof, tile floor and huge windows facing south to ensure the greatest amount of sunlight. In the summer, the plants were set out of doors, a feat accomplished without difficulty by a large staff of gardeners. These orangeries were usually set some distance from the house.

Bloedel Floral Conservatory, Queen Elizabeth Park: The Conservatory is one of the most popular attractions in Vancouver and is open daily, rain or shine. A modest fee is charged. It is dedicated to the wonders of the natural world with an emphasis on plants and birds. As a matter of fact, over 100 birds of various species call the Bloedel Conservatory home and free-fly within its spacious dome. It was constructed through a very generous donation from Prentice Bloedel in 1969. That same donation enabled the Park Board to cover the main reservoir atop Queen Elizabeth Park.

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