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Not long ago, the Garfield Park Conservatory (Ill.) seemed beyond salvaging--it was old, needed refurbishing and had few patrons. Enter the guys with white hats. First, the Chicago Park District launched an $8 million capital improvement campaign. Then a task force of 80 community groups convened and developed the Garfield Park Conservatory Alliance, a nonprofit organization dedicated to developing and funding programs, visitor service and community relations at the conservatory. The alliance received its funding from the Lila Wallace-Reader's Digest Fund, which seeks to rejuvenate urban parks through creative partnerships.

Mitchell Park Horticultural Conservatory "The Domes": Experience a desert oasis, a tropical jungle and special floral gardens all in one afternoon! The incredible diversity of plantlife you will encounter reminds us all of the Earth's unique diversity of plant and animal species so very vital to our own survival. Come to the deserts of Africa, Madagascar, South America and North America in the Arid Dome where one of the world's finest collections of cacti, succulents, shrubs and arid-land bulbs grow. An Oasis of Pampas Grass and desert palms beckons as paths lead you past many plant oddities with intriguing geometric forms, subtle coloration and unique adaptations to hot, dry habitats.

Central Park has been in the works for 150 years. How did 843 acres of swampy, muddy terrain become transformed into one of the world's premier public spaces? Over the past twenty years, the history of Central Park has been greatly affected by the history of the Central Park Conservancy, the private, not-for-profit organization that manages Central Park under a contract with the City of New York/Department of Parks and Recreation. Look for Conservancy History to learn of the myriad improvements made to the Park through the contributions and hard work of private citizens, corporations, and foundations.

Many of the vegetables available today in St. Petersburg, Russia, for example, are grown under glass in acres of greenhouses that rim the city, a necessity for the climate. The St. Petersburg greenhouses date from shortly after the founding of the city of Peter the Great at the dawn of the eighteenth century. By the middle of the 19th century, the popularity of greenhouses had grown exponentially. What's more, materials became less expensive and more readily available, so greenhouses and growing plants under glass were no longer a pastime only of the wealthy. Small greenhouses and conservatories of many designs were added to middle class Victorian houses. There was also competition by cities and countries to build conservatories as part of grand public parks. These housed exotic, non-native plants as well as common varieties, and remain popular today. One of the most famous glass buildings in the world was the Great Exhibition's Crystal Palace, built in London in 1850-51 for the Great Exhibition. Chief architect was Joseph Paxton (1803-65), former gardener to the sixth Duke of Devonshire (the Bachelor Duke). It contained all kinds of exhibits, not only plants. Nonetheless, the design of the Crystal Palace influenced decades worth of greenhouses and conservatories. Paxton was influenced by the achievements of Knight and Loudon in creating more efficient greenhouses.

Almost twenty years ago, The French government unveiled a plan to replace the aging Conservatory building on the Rue de Madrid with a new jewel in its diadem of arts buildings. The result is the Conservatoire de Paris, a complex at the Porte de la Villette. In addition to several theaters in the former marketplace building (Les Halles), the complex houses a "cite de la musique" containing a music museum, shops, a place for recitals and lectures, a "mediatheque" (the newest form of library), an audiovisual center, and an extraordinary training facility for music and dance.

Thomas Albert Knight (1759-1838) published a paper in 1812, laying out his theories on the most efficient structure of glasshouses. Rather than designing them based on the style of existing orangeries, Knight proposed different arrangements with curving walls and roofs. His work supplemented the achievements of John Claudius Loudon (1782-1843), who studied growing techniques all over Europe and was an admirer of Thomas Jefferson. Elizabeth Rogers in her book Landscape Design, writes, "Experimenting with different shapes and structural techniques in his Bayswater garden, in 1816 Loudon invented a curvilinear sash bar of wrought iron. His experiments also led him to propose a 'ridge and furrow,' or double meridian, glazing system in which the glass panes of the conservatory were angled so as best to catch morning and afternoon light while preventing the scorching of leaves by the direct rays of the noondays sun ...and pulleys in the manner of Venetian blinds to gain a more desirable angle...or to let in fresh air and summer rain showers." (p.317) At Chatsworth, Paxton became chief gardener in 1826 at age 23. He built a great conservatory there, often considered as a prototype for the Crystal Palace. Devonshire wrote that when Paxton arrived at Chatsworth, he found, "...four pine-houses, bad; two vineries, which contained eight bunches of grapes; two good peach houses, and a few cucumber frames. There were no houses at all for plants..." All of this was to change in a very short time and gardens would never again be the same. By the early nineteenth century, tastes were evolving. In his outstanding work, Life in the English Country House, Mark Girouard writes, "The upper- and upper-middle classes had reached the stage of sophistication at which they could react against their own civilization and endeavour to go back to nature. They found nature both in the countryside, preferably in as wild a state as possible, and in man in the countryside, preferably in the supposedly unconstrained, passionate and pure state as presented in the myth or model for the Noble Savage....towards the end of the eighteenth century people began to feel that the main rooms of a house should be in touch with the outside world-not just by views through the windows, although increasing attention was paid to these, but also by means of having the rooms at ground level, with low-silled windows or actual French windows opening straight into the garden or on to the lawn. The rooms thus flowed out in the garden and correspondingly the garden made inroads into the house, in the form of vases and pots of flowers or occupied an entire room in the form of a conservatory attached to the home." (214) The regency era was truly the cusp of dramatic changes in science, technology, manufacture and democratic values. All of these changes can be seen in the very interesting and significant developments in conservatories and greenhouses.

Visited annually by approximately 400,000 people, the Assiniboine Park Conservatory offers 10 different displays a year in the Floral Display Gallery, including Orchid and Bonsai shows and a special Holiday Lights Display over the Christmas season. Dating from 1914, the Palm House exhibits a tropical jungle; visitors walk under a canopy of mature tropical trees and admire orchids selected from the Conservatory's extensive collection. The Garden Restaurant serves light meals and refreshments in a garden atmosphere. The original Assiniboine Park Conservatory was built in 1914. It is the oldest facility of its kind in Western Canada. In the style of 19th and early 20th century conservatories, the original Conservatory was composed primarily of glass (to admit maximum light) and supported by a framework of iron.

Bloedel Floral Conservatory, Queen Elizabeth Park: The Conservatory is one of the most popular attractions in Vancouver and is open daily, rain or shine. A modest fee is charged. It is dedicated to the wonders of the natural world with an emphasis on plants and birds. As a matter of fact, over 100 birds of various species call the Bloedel Conservatory home and free-fly within its spacious dome. It was constructed through a very generous donation from Prentice Bloedel in 1969. That same donation enabled the Park Board to cover the main reservoir atop Queen Elizabeth Park.

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